Usòrò:Anticipation, or, the contrast to the royal hunt. (BM 1868,0808.4840).jpg
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Mmẹkụwátá
Anticipation, or, the contrast to the royal hunt. ( ) | ||||||||||||||||||||||||
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Title |
Anticipation, or, the contrast to the royal hunt. |
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Nkówá |
English: A sequel to BMSat 5961, probably by the same artist. The new Ministry in process of restoring the temple of Fame. In the foreground on the extreme right Britannia sits on a globe, her shield and spear beside her, holding out an olive branch. Some of the figures are identified by numbers referring to names in the lower margin. “I, C-n-y” (Conway), standing (right) in front of the Temple of Fame, is holding erect the broken pillar inscribed “America”, a reference to his famous resolutions, see BMSat 5963, 5985, 5986. A military officer and two sailors are lifting up fallen pillars inscribed “Charles Town” and “St. Vinc[en]ts”. The only pillars remaining on the ground are “Eustatius” lying across “Rhode Island”. The Temple has still only two columns intact, “Gibraltar” and “Jamaica Barbadoes”, but these are stouter. One of the broken columns, “Tobago”, is in process of repair by two sailors, one of whom, standing on a ladder, is about to fit in a missing section. The rope which was tied round Gibraltar trails on the ground and the figures which were pulling it in the earlier print are otherwise engaged: America holding a short or broken spear in the left hand holds out in the right an olive branch, while a naval officer standing next him with a cutlass in his right hand, holds out an olive branch towards America. Holland, a pipe stuck in his hat, kneels before the officer, his hands raised in supplication. Spain and France are in flight towards the left, their hands outstretched.
Etching |
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Depicted people | Representation of: Hon Samuel Barrington | |||||||||||||||||||||||
Ǹgụ́ụ̀bọ̀chị̀ |
1782 date QS:P571,+1782-00-00T00:00:00Z/9 |
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Medium | paper | |||||||||||||||||||||||
Dimensions |
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Nchịkọta |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1868,0808.4840 |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1868-0808-4840 | |||||||||||||||||||||||
Ọdà (Í jí kwá usòrò nke) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Nkwényé
This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
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image/jpeg
checksum Bekee
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data size Bekee
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width Bekee
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Ịta nke usòrò
Bìri èhì/ogè k'ị hụ òtù ụ̀fa dị̀ m̀gbè ahụ̀.
Èhì/Ogè | Mbọ-aka | Ógólógó na asaá | Òjìème | Nkwute | |
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dị ùgbu â | 22:18, 8 Mee 2020 | 1,600 × 1,117 (498 KB) | Copyfraud | British Museum public domain uploads (Copyfraud/BM) Satirical prints in the British Museum 1782 #442/12,043 |
Ojiji faịlụ
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Ívú nà àsáa | Nkịtị |
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Mkpebi gbara uhie | 300 dpi |
Mkpebi kwụọ ọtọ | 300 dpi |
Ndiriusòrò ejìème | Adobe Photoshop Elements 2.0 |
Failụ mgbanwe ụbọchi na oge | 11:08, 3 Ọktoba 2005 |
Ámá àgwà | Uncalibrated |